serpentine malign

"To start with, on the cultural side, the main difference is that Japanese animation comes out of a completely different tradition of representation in art and performance. Western classicism is based on the strict adherence to realism, rendering the artist (and the process) invisible in order to elevate the subject. Classicist painting values the creation of an illusion. A painting should make the viewer forget he is looking at oil on canvas, and reveal its subject as if through a window on reality. Brush strokes must be blended so no trace of the artist's toil is evident. Western theatrical performance is likewise realist, defining a character through individuality, unique traits specific to period and setting. Japanese theatre and art, on the other hand, would fit the definition of "modernist" in Western culture. Asian painting is stylized, impressionistic (and expressionistic), concerned entirley with displaying the brush stroke and the flat, graphic nature of the picture plane. Japanese performance-- kabuki, noh, bunraku-- is similarly stylized, and more focused on capturing a distillation of character than emotional versimilitude."

- (long essay on differences of eastern vs western animation by the creator of Aeon Flux)

( (edit: shoot, copypasting the whole thing in the readmore here, since reddit doesn't strike me as the most stable source.) )